13 Sep 2009 Comments Off
PSYCHIC DETECTIVE: Decoding Rosslyn, Part 3, September 11, 2009
There was a lot going on this first full day that I spent in the crypt of Rosslyn chapel. I’m going to have to break it down in bits because to do otherwise would end up in a confusing mishmash. I’m taking things out of order to focus on one item and explain it in detail as much as I can. Then, I’ll move on to the next one.
Also, I’m heading to Toulouse, France on the morning of 9.14.09. I will have computer access that day, but after that, I will not and the blogs will stop until after I get home, which is 9.27. I hope to start them up again shortly after that. Let’s
Grahame Martin, homeopath from London, England, met me at my hotel at 9:30am. We shared some breakfast and then we were off to Rosslyn Chapel to see what we could psychically pick up in the crypt. Grahame is a well grounded, no nonsense clairvoyant. He’s steeped in many metaphysical traditions including numerology, astrology and ancient symbology interpretation.
We agreed early on, to work separate from one another and then come together later to share our individual findings. My experience is that true clairvoyants, if put in the same room together, with come up with the SAME information. That is your automatic ‘double check’ when that occurs. And for the type of work I was laying out and trying to understand the layers, I wanted the highest caliber of psychically trained people that I could find–and Grahame Martin and Ingrid Kropf, were two who I knew could ‘deliver the goods’ on anything I discovered.
Today, it was working with Grahame. One of the first things I turned his attention to was the drawing on the south wall of the crypt.
The lines are here and I hope you can see them. This is a template that was found on the south wall of the chapel. It holds many keys and critical information for us eventually finding the protocol (ceremony) that opens up the energy of the crypt/temple but also allows healing and restoration of anyone who utilizes is.
When I saw it on the first day, it reminded me of the goddess Astarte from Babylon days. She has a skirt that has five layers or levels to it.
And so did this code on the wall. I was immediately struck by the “skirt” that had five layers. I already figured out this place was about our chakras–all nine of them. Seven were engraved in stone in the crypt. This “skirt” looked like the first five chakras starting with the lowest level being the root chakra up to the heart chakra.
Then, there are four diamonds of various sizes above this “skirt. When I counted the five layers of the “skirt” along with these four, it makes the number 9. I knew this drawing had to do with the nine chakras of the human being.
Adding to this was at the 4th and 5th level of the “skirt,” a wavy, snakelike drawing on both sides of the template. I remember the snakes (which are also symbolic/emblematic of dragons) in the solar plexus chakra. And this wavy line is on both sides of the template. I didn’t know what that was about but we’d put it together when Ingrid Kropf would come for a visit on 9.12.
You see on the left hand side (the feminine side) there is a graceful half curved line and there is a five-sided star with it; again indicative of the female/goddess energy.
On the right-hand side (the male side) there is also a half curved line but nothing else.
Then, there are four diamonds of varying size, thickness and thinness.
I deduced that the “skirt” was the lower five chakras. At the point of the ‘shoulders’ of this woman in a skirt template, was the CROSS OF MATTER. This means that you cannot pass through to the more refined energies and information available at those levels, until you have mastered and cleaned out the lower five chakras. Once that is done, then you enter the ‘diamonds.’
The lowest diamond is symbolic of the throat chakra. The next is the crown chakra. Then, the last two are the 8th and 9th chakras which are connected with the Monad (God/Goddess) consciousness or what we would term ‘enlightenment.’
Let’s deconstruct this drawing. On the ‘sides’ there is a vertical, thin panel. And then you have two ‘fatter’ panels within them. I believe the lean vertical panels speak to the two sides of energy that the kundalini must traverse up our spine in order to shoot out of our head and connect with the cosmos (enlightenment).
The ‘panels’ on the skirt are FOUR at each level. I believe this speaks to the four elements, fire, earth, air and water and the working in this realm with the lower five chakras.
On the next panel up, again, four panels but there is also a diagonal in the vertical panels on both sides of it. This is the sacral or navel chakra (the abdomen area). Knowing what I know now on Sunday night and working with Grahame Martin and Ingrid Kropf, the diagonals speak to a blockage–our own fears of living life/death. There is a very distinct carved block next to the sacral chakra niche that strongly suggests this. In other words, there are ‘hurdles’ to jump or transcend when one gets to the sacral chakra.
The third panel is the solar plexus chakra and it is simple and straight forward.
We get to the heart chakra and the two vertical panels each have what looks like a sine wave or ‘mountain’ line in them. This line then moves up into the next vertical panels of the throat chakra and exits out either side of the panels.
From here we have an interesting drawing on the left, which is the female side. It has a definite look of half a cup with a stem attached to it. Whereas on the right side it is not in evidence at all and is a long, single curved line. Together, these two lines suggests a cup (the grail?) or perhaps, keeping with my sense that this template was like a stick man drawing, these are arms lifted upward in supplication to the great mother goddess. Lots to conjecture here.
The ‘head’ of the woman in the “skirt” is composed of the four diamonds. And as discussed earlier, these are the brow, crown and 8th and 9th chakras.
Grahame also agreed with me on the chakra alignment. And isn’t it interesting that the lower five chakras imprison us (the skirt reminds me of a prison with bars (panels)). And only after we transcend and move into our heart and live in a compassionate way with ourselves and others, that we are able to transcend and move past the prison of Saturn’s rings or the cross of matter, and move into the ‘cup’ that holds the four diamonds.
Little did I know that this drawing was not only speaking of what I’d discovered so far, but a far more important piece of the puzzle that would lead to the combination to the ceremony (protocol) that would not only open up the energy in this temple, but also allow anyone to apply this knowledge and walk away with a healing, feeling lighter and joyous. This one drawing was truly speaking directly to anyone who could read it, as to what was going on (in one level) of Rosslyn Chapel’s crypt.
NEXT: The White Lady sends a message, part 4